{"id":52,"date":"2026-06-25T15:49:44","date_gmt":"2026-06-25T13:49:44","guid":{"rendered":"https:\/\/mmdwc.com\/claude_melin\/?page_id=52"},"modified":"2026-07-04T11:28:50","modified_gmt":"2026-07-04T09:28:50","slug":"objets","status":"publish","type":"page","link":"https:\/\/mmdwc.com\/claude_melin\/latelier\/objets\/","title":{"rendered":"Objets"},"content":{"rendered":"

Claude Melin se consid\u00e8re lui-m\u00eame comme un artisan tout autant que comme un artiste.<\/p>\n

Un peu comme pour le musicien en situation de concert, aucun repentir n\u2019est possible lors de l\u2019ex\u00e9cution des \u0153uvres, ce qui suppose une concentration sans faille et une parfaite ma\u00eetrise du geste, de la respiration et du tempo d\u2019ex\u00e9cution sp\u00e9cifique \u00e0 l\u2019\u0153uvre1.<\/p>\n

L\u2019apparente spontan\u00e9it\u00e9 de ses graphismes est canalis\u00e9e par la recherche d\u2019un trait aussi pur et disciplin\u00e9 que possible. Claude Melin revendique une \u0153uvre \u00ab classique \u00bb : \u00ab Si son inspiration est contemporaine (c\u2019est-\u00e0-dire l\u2019abstrait, l\u2019imaginaire, le fantasmatique), sa r\u00e9alisation est d\u2019un classicisme et d\u2019une rigueur absolus2. \u00bb<\/p>\n

Claude Melin dispose d\u2019un vocabulaire de gestes et de tempi d\u2019ex\u00e9cution qu\u2019il conjugue pour chaque \u0153uvre de mani\u00e8re sp\u00e9cifique, comme s\u2019il s\u2019agissait d\u2019orienter l\u2019\u0153uvre dans le sens d\u2019une variation perp\u00e9tuelle. Les \u0153uvres li\u00e9es \u00e0 une m\u00eame technique de composition apparaissent comme des variations \u00e0 partir d\u2019un m\u00eame principe3.<\/p>\n

1 \u00ab Claude Melin chez lui \u00bb, entretien pr\u00e9alable avec Didier Barri\u00e8re en vue de la publication du Bulletin de l\u2019Imprimerie nationale no 32, mai 1986.
\n2 Didier Barri\u00e8re, \u00ab Musique et calligraphie dans l\u2019\u0153uvre de Claude Melin \u00bb, Bulletin de l\u2019Imprimerie nationale no 32, mai 1986, p. 22.
\n3 Jean-Yves Bosseur et Claude Melin, Chansons de gestes, op. cit., p. 26.<\/p>\n","protected":false},"excerpt":{"rendered":"

Claude Melin se consid\u00e8re lui-m\u00eame comme un artisan tout autant que comme un artiste. Un peu comme pour le musicien en situation de concert, aucun repentir n\u2019est possible lors de…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":44,"menu_order":8,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-52","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nObjets - Claude Melin<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Objets - Claude Melin\" \/>\n<meta property=\"og:description\" content=\"Claude Melin se consid\u00e8re lui-m\u00eame comme un artisan tout autant que comme un artiste. 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