{"id":38,"date":"2026-06-25T15:48:11","date_gmt":"2026-06-25T13:48:11","guid":{"rendered":"https:\/\/mmdwc.com\/claude_melin\/?page_id=38"},"modified":"2026-07-04T11:25:37","modified_gmt":"2026-07-04T09:25:37","slug":"collaborations","status":"publish","type":"page","link":"https:\/\/mmdwc.com\/claude_melin\/lartiste\/collaborations\/","title":{"rendered":"Collaborations"},"content":{"rendered":"

Jean-Yves Bosseur<\/strong><\/p>\n

D\u00e8s 1980, Claude Melin collabore avec Jean-Yves Bosseur : \u00ab Ensemble nous avons fait un travail diff\u00e9rent. Nous sommes pass\u00e9s de la forme de travail musical que je faisais \u2013 qui \u00e9tait donc des calligraphies, ces contre-\u00e9critures musicales \u2013 \u00e0 une approche tr\u00e8s enrichissante et tr\u00e8s merveilleuse : c\u2019est de travailler en commun. Jean-Yves me donne ce qu\u2019il appelle des cribles, c\u2019est-\u00e0-dire un sch\u00e9ma musical sur lequel sont indiqu\u00e9s des sons avec des orientations temporelles, des hauteurs, pour un groupe de six \u00e0 huit musiciens. Et partant de ces cribles, qui ont une valeur musicale donn\u00e9e, je cr\u00e9e des parcours et des calligraphies musicales autour d\u2019une prescription sonore. Donc, c\u2019est d\u00e9j\u00e0 un travail entre un musicien et un calligraphe.<\/p>\n

Le stade suivant consiste \u00e0 redonner tout cet ensemble au groupe qui, lui, interpr\u00e8te les donn\u00e9es de Bosseur \u00e0 travers le parcours musical ainsi d\u00e9crit1<\/sup>.<\/p>\n

De cette collaboration naissent des livres-partitions, imprim\u00e9es et grav\u00e9es par l\u2019atelier Tanguy Garric :<\/p>\n

– Alliages de cordes, \u00e9ditions \u00c6ncrage, 1983.
\n– All\u00e9gories, \u00e9ditions Neumes (gravure taille-douce originale sur le tirage de t\u00eate), 1983.
\n– Gestes en vocalise, \u00e9ditions Neumes, 1986.<\/p>\n

1 Entretien avec Olivier Germain-Thomas, \u00ab R\u00e9veil en d\u2019autres lieux \u00bb, France-Culture, v. 1981.<\/em><\/p>\n

Tanguy Garric<\/strong><\/p>\n

En 1979, la rencontre de Claude Melin avec Tanguy Garric, imprimeur, graveur et \u00e9diteur, initie entre l\u2019artiste et l\u2019artisan une longue collaboration de recherche et un travail commun autour de gravures en taille-douce : gravure aux essences de plantes et aquatinte, eau forte, en phototypie pour les Opus, en infographie avec l\u2019impression num\u00e9rique.<\/p>\n

\u00c0 partir de 1982, Tanguy Garric expose r\u00e9guli\u00e8rement les \u0153uvres grav\u00e9es de Claude Melin dans les salons sp\u00e9cifiquement consacr\u00e9s \u00e0 l\u2019estampe et \u00e0 la bibliophilie \u2013 Saga, Artmultiples, Page(s), Livres en mai \u2013 en France, mais aussi en Cor\u00e9e, Finlande, Su\u00e8de\u2026 et dans des galeries et des centres d\u2019art contemporain.<\/p>\n

Ensemble, ils r\u00e9alisent plusieurs livres d\u2019artiste \u00e0 tirage limit\u00e9 :<\/p>\n

– Trait\u00e9 de l\u2019harmonie de Jean-Philippe Rameau, 1990.
\n– Ha\u00efkus, 1992
\n– Po\u00e8mes et dessins, 2001.
\n– Au saule sacr\u00e9 d\u2019Heliopolis, 2008.<\/p>\n","protected":false},"excerpt":{"rendered":"

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